The Sanctuary Blueprint

It is the art of distillation, where emotion, intuition, and truth find their purest form. Across time, poetry has served as invocation — a way to call forth the divine, to make sense of mystery, to translate spirit into

In a world often overcome by speed and noise, it remains a refuge — reminding us to listen inwardly, to slow the pulse, to feel again.
The poems I’ve chosen here are not meant for analysis but for resonance — for their ability to awaken something wordless within us, an invitation to presence and the quiet beauty of being.

Love after love

Love After Love

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

~ derek walcott

In that first hardly noticed moment in which you wake,
coming back to this life from the other
more secret, moveable and frighteningly honest world
where everything began,
there is a small opening into the new day
which closes the moment you begin your plans.

What you can plan is too small for you to live.
What you can live wholeheartedly will make plans enough
for the vitality hidden in your sleep.

To be human is to become visible
while carrying what is hidden as a gift to others.
To remember the other world in this world
is to live in your true inheritance.

You are not a troubled guest on this earth,
you are not an accident amidst other accidents
you were invited from another and greater night
than the one from which you have just emerged.

Now, looking through the slanting light of the morning window
toward the mountain presence of everything that can be
what urgency calls you to your one love?
What shape waits in the seed of you
to grow and spread its branches
against a future sky?

Is it waiting in the fertile sea?
In the trees beyond the house?
In the life you can imagine for yourself?
In the open and lovely white page on the writing desk?

~David Whyte

I can tell by the way the trees beat, after
so many dull days, on my worried windowpanes
that a storm is coming,
and I hear the far-off fields say things
I can’t bear without a friend,
I can’t love without a sister.

The storm, the shifter of shapes, drives on 
across the woods and across time,
and the world looks as if it had no age:
the landscape, like a line in the psalm book, 
is seriousness and weight and eternity.

What we choose to fight is so tiny! 
What fights with us is so great. 
If only we would let ourselves be dominated
as things do by some immense storm, 
we would become strong too, and not need names.

When we win it’s with small things, 
and the triumph itself makes us small. 
What is extraordinary and eternal
does not want to be bent by us. 
I mean the Angel who appeared
to the wrestlers of the Old Testament:
when the wrestlers’ sinews 
grew long like metal strings, 
he felt them under his fingers 
like chords of deep music.

Whoever was beaten by this Angel 
(who often simply declined the fight) 
went away proud and strengthened
and great from that harsh hand, 
that kneaded him as if to change his shape. 
Winning does not tempt that man. 
This is how he grows: by being defeated, decisively, 
by constantly greater beings.

Want the Change. Be inspired by the flame
Where everything shines as it disappears.
The artist, when sketching, loves nothing so much
as the curve of the body as it turns away.

What locks itself in sameness has congealed.
Is it safer to be gray and numb?
What turns hard becomes rigid
and is easily shattered.

Pour yourself like a fountain.
Flow into the knowledge that what you are seeking
finishes often at the start, and, with ending, begins.

Every happiness is the child of a separation
it did not think it could survive. And Daphne, becoming a laurel,
dares you to become the wind.

~ By Rainer Maria Rilke

Naomi Shihab Nye
1952 – 
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands, like ticket stubs or change.

But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records . . .

Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measles-pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth
tending as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it is over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.

I don’t want to end up simply having visited this world.

~ Mary Oliver

The almost silent rain will heal me as it falls, 
as if the sound itself were a bed 
where I could lay in your arms letting 
the stream of life go by unhurried and easy 
as I was with you when I wanted the hours 
to linger on and heaven to fall and 
all the waters of this mighty world run through me 
as my memory of you runs on through my waking body
like a spinning arrival of weighted love
bringing me to life this morning 
taking me to that one night in the grass
and ourselves in one another our bodies 
as a burning single presence and 
your face becoming so familiar so quickly to me 
merely through touch and through 
the close light of each silvered, 
midnight glance. 
Lying here listening to the almost silent rain, 
I hear you listening with me and 
turning to your smiling upturned face 
I place a finger on your lips now just about to part. 
To invite the quiet, 
to still you with love,
to see you again; 
to hear the waters falling, 
all of them together but only because 
I want to whisper next to your ear how glad I am, 
how merciful is life, 
how good is the night that held us close, 
realizing how much I needed to learn in order to love you, 
how much I was made to wait until 
everything in me was ready, 
how kind life was 
in keeping you hidden until now.

~ David Whyte

On the tidal mud, just before sunset, 
dozens of starfishes
were creeping. It was 
as though the mud were a sky
and enormous, imperfect stars 
moved across it as slowly 
as the actual stars cross heaven.
All at once they stopped, 
and, as if they had simply
increased their receptivity 
to gravity, they sank down
into the mud, faded down 
into it and lay still, and by the time 
pink of sunset broke across them 
they were as invisible 
as the true stars at daybreak.

~ Galway Kinnell

Pablo Nerud
1904 – 
1973
Maru Mori brought me
a pair
of socks
which she knitted herself
with her sheepherder’s hands,
two socks as soft
as rabbits.
I slipped my feet
into them
as though into
two
cases
knitted
with threads of
twilight
and goatskin.
Violent socks,
my feet were
two fish made
of wool,
two long sharks
sea-blue, shot
through
by one golden thread,
two immense blackbirds,
two cannons:
my feet
were honored
in this way
by
these
heavenly
socks.
They were
so handsome
for the first time
my feet seemed to me
unacceptable
like two decrepit
firemen, firemen
unworthy
of that woven
fire,
of those glowing
socks.

Nevertheless
I resisted
the sharp temptation
to save them somewhere
as schoolboys
keep
fireflies,
as learned men
collect
sacred texts,
I resisted
the mad impulse
to put them
into a golden
cage
and each day give them
birdseed
and pieces of pink melon.
Like explorers
in the jungle who hand
over the very rare
green deer
to the spit
and eat it
with remorse,
I stretched out
my feet
and pulled on
the magnificent
socks
and then my shoes.

The moral
of my ode is this:
beauty is twice
beauty
and what is good is doubly
good
when it is a matter of two socks
made of wool
in winter.

It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In a rainy autumn
And walked abroad in shower of all my days
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.

A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.

Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.

It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
Through the parables
Of sunlight
And the legends of the green chapels

And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and the sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singing birds.

And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart’s truth
Still be sung
On this high hill in a year’s turning.

~ Dylan Thomas

Above the mountains
the geese turn into
the light again

Painting their
black silhouettes
on an open sky.

Sometimes everything
has to be
enscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

small, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving
you are arriving.

Your vulnerability is not a mistake and your sadness is not something which needs to be healed. Inside the core of your sensitivity is a bridge to the unseen world. As you peer beneath the veil you will be astonished at what is truly happening here. Yes, this bridge is made of pure grace, but it is a grace the mind could never understand.

Friend, the beloved will do anything to reach you. Her grace is not only sweet, flowy, and calm, but comes at times as fierce, wrathful intensity. It may appear that love has a bias toward the light, but you are seeing that it does not. For inside the darkness the secret of your heart is being revealed.

Enter into the core of your luminous essence where the light and the dark are one. It is here where the beloved is weaving strands of separation and union into the cells of your body, planting her seeds of love which will produce fruit throughout this world. If you will water these seeds, with the wild rain of unconditional kindness, love will be unleashed and will drip out as a golden waterfall into this very special star you have found yourself in.

~ Matt Licata.

Everyone you see, you say to them, “Love me.”

Of course you do not do this out loud, otherwise
someone would call the cops.

Still, though, think about this, this great pull in us to connect.

Why not become the one who lives with a 
full moon in each eye that is
always saying,

with that sweet moon language,
what every other eye in 
this world is
dying to
hear?

Be helpless, dumbfounded,
Unable to say yes or no.
Then a stretcher will come from grace
To gather us up.

We are too dull-eyed to see that beauty
If we say we can, we’re lying.
If we say No, we don’t see it,
That No will behead us
And shut tight our window onto spirit.

So let us rather not be sure of anything,
Besides ourselves, and only that, so
Miraculous beings come running to help.
Crazed, lying in a zero circle, mute,
We shall be saying finally,
With tremendous eloquence, Lead us.
When we have totally surrendered to that beauty,
We shall be a mighty kindness.

~ Rumi

Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of wine, the dew.
e nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain uttered.
Return in thought to the concert where music ared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.

Love From Clients

Slide 1

Working with Kathleen was a revelation. She doesn't just design spaces — she helps you remember what truly nourishes your soul. My home now feels like a sanctuary and I feel so enlivened by the changes.

S.B., San Francisco

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